About Bennetts Lane
Bennetts Lane owes much of its success to its unique physical character. Conceived by Tortoni as a “blank slate” for musicians to express their artistry, the venue draws attention to the performers rather than the place itself. This intentional design has fostered a special relationship between the space and the music, creating a distinctive atmosphere that has contributed to Melbourne’s vibrant jazz scene.
Adrian Jackson, former jazz critic for The Age and director of the Wangaratta Jazz Festival, adds “the overwhelming thing is that you can just feel the history as soon as you walk down those stairs into the room.”
At Bennetts Lane, the rich history and ambiance create a unique listening experience, making it a beloved and iconic venue in Melbourne’s jazz community.
The Evolution of Bennetts Lane
Early Days (1992)
Michael Tortoni opened the Bennetts Lane Jazz Club in November 1992, located off Little Lonsdale Street. In January 2000, a second performance space called The JazzLab was added for the Melbourne International Jazz Festival.
Management Change (2015)
The venue closed in June 2015 after Tortoni sold the property to a developer. David Marriner, the new owner, negotiated to keep the club open at its original site temporarily and reopened it in August 2015 with updated amenities. Plans for a new location behind the Grand Hyatt were approved in 2016.
2017
The club closed again in February 2017. Construction on the new location faced delays, and as of February 2020, there were no updates on the project’s progress. In 2024, efforts appeared to be on hold.
JazzLab (2017)
In April 2017, Michael Tortoni opened a new jazz club called The JazzLab in Brunswick.
The Soul Of Bennetts Lane
Bennetts Lane Jazz Club has been a cornerstone of Melbourne’s jazz scene for over two decades. While it may not claim the title of “the world’s best jazz club,” its long-standing reputation as one of the finest is well-earned. Unlike many venues that adorn their walls with jazz icons, Bennetts Lane embraces a more understated, authentic atmosphere. Inspired by the timeless charm of Pellegrini’s Espresso Bar, the club avoids flashy decor, focusing instead on creating a genuine, immersive experience.
The intimate space is a key part of its allure. As noted by pianist Paul Grabowsky, the combination of the room’s size, ambiance, and dedicated staff creates a perfect setting for live jazz. Even on quieter nights, the club retains its vibrant atmosphere, a testament to its thoughtful design.
The close proximity between performers and audience enhances the connection, making the experience uniquely intense. Trumpeter Scott Tinkler describes the club’s intimacy as a dynamic part of the performance, with the energy from the crowd contributing significantly to the experience.
Bennetts Lane’s consistency and commitment to jazz are central to its identity. It has become a beloved gathering spot for musicians, earning praise as a “lifeblood” of the Australian jazz scene. As noted by Barney McAll, the club’s atmosphere, shaped by owner Michael Tortoni’s deep understanding of jazz, fosters both competitive and cooperative spirits among performers. Much like the renowned Village Vanguard in New York, Bennetts Lane remains a cherished haven for jazz enthusiasts and musicians alike.
About Michael Tortoni
Michael Tortoni, the visionary behind Bennetts Lane, is a jazz bassist dedicated to prioritizing the music itself. Understanding the challenges jazz faces in an era dominated by rock and popular music, Michael created a space where jazz could thrive.
His journey began at the Victorian College of the Arts (VCA), where he initially sought diverse musical options. Though he appreciated classical music and its connections to rock, jazz quickly captured his passion, influenced by the charismatic saxophonist Brian Brown. Tortoni became enthralled by jazz’s improvisational nature, viewing it as spontaneous composition and a universal language that connects musicians beyond traditional training. For him, jazz is about embracing creativity and overcoming the fear of exposing one’s true self through music.
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